Eighty years ago, an extraordinary collegiate basketball game took place. It’s such a shining moment, it’s madness that March 12 isn’t an annual hoops holiday. On that Sunday morning in 1944, when most folks (including local cops) were at church, the Duke University medical school team traveled across town to play the all-Black North Carolina College Eagles behind locked gym doors. “The Secret Game” — a legitimate contest with a referee and a game clock but no spectators — was the first college game in the segregated South with Black and White players on the same court. The Eagles’s fast break helped them torch Duke, 88-44, but the competitive juices were still flowing afterward, so the young men did something even more extraordinary: On a Jim Crow hardwood, at a time when Black teams weren’t even allowed in the NCAA or NIT tournaments, they split up the teams and ran it back, shirts and skins.
‘The Real Hoosiers’: First All-Black Team To Win State Title (1955)
By admin
Via The Washington Post, a report on a new book detailing the remarkable story of Oscar Robertson’s high school team:
I’ve been a basketball junkie for more than 40 years but had never come across this incredible story until it popped up as a narrative detour in “The Real Hoosiers: Crispus Attucks High School, Oscar Robertson and the Hidden History of Hoops,” by Jack McCallum, one of two terrific new basketball books out in time to make your tourney banter that much more intelligent. “The Real Hoosiers” is the story of a dominant but unheralded high school team that played during the same placid Eisenhower days as the squad in the beloved movie “Hoosiers.” The Crispus Attucks Tigers, led by one of the best to ever do it, Oscar Robertson, won a state title in 1955, becoming the first all-Black team in Indiana — and “quite likely,” in McCallum’s estimation, the United States — to do that. (They won it again the following year.)
In 1954, Attucks lost in the state tournament to Milan High School, the rural team that inspired the fictional Hickory High in “Hoosiers.” McCallum uses that film, and the racial dynamics of its conservative “Behold, the smart, scrappy white kids!” ethos as a jumping-off point for how much more improbable the Tigers’s real-world heroics were. For starters, they didn’t have a gym. They also dealt with consistently biased officiating, racist invective from opposing fans, restaurants that wouldn’t serve them, bigoted newspaper columnists, death threats and the murder of peer Emmett Till.
McCallum makes quick work of the movie’s legacy to tell a much deeper and richer story about life under de facto legal segregation in 1950s Indiana. The “most northern state in the South,” as it’s been called, was home to the second coming of the Ku Klux Klan, which is why the book goes well beyond simply resuscitating those Crispus Attucks Tigers and giving them their just due. “The Real Hoosiers” has a real edge to it.
McCallum, now in his mid-70s, pulls all the tricks from a Hall of Fame career out of his righteous writer’s bag to show what these teenagers endured while compiling an 85-6 record in Robertson’s three varsity seasons. He jumps back and forth in time, throws in fun footnotes about figures like Cab Calloway and Kurt Vonnegut, weaves in historical antecedents and ancillary tales, offers technical basketball analysis, and breaks the fourth wall with commentary and jokes, both grandpa groaners and one-liners dripping with animus at racial injustices past and present.
Nowhere is that animus felt more than in a chapter titled “Basketball and Blood in the Same Town Square.” In 1926, 90 miles north of Indianapolis in Marion, Ind., the town square hosted a party after the local boys beat Martinsville (whose team featured a sophomore guard named John Wooden; hold that thought) for the state title. A raucous bonfire raged all night. Four years later, a crowd of 5,000 — a quarter of Marion’s population — gathered once again for a different purpose. This time, as McCallum describes it, “They were waiting — many of them hoping — to witness their first lynching.”
On Aug. 7, 1930, Black teenagers Thomas Shipp and Abram Smith, who were in jail on unsubstantiated murder and rape charges, were brutally beaten, dragged to the Marion town square, strung up on a maple tree and left hanging for nearly 12 hours. Local photographer Lawrence Beitler captured the depraved indifference of the townspeople, some of whom undoubtedly reveled in the lynching as they had the hoops championship a few years before. The infamous photo would inspire Billie Holiday’s haunting classic “Strange Fruit.”
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